This Black History Month, Fastweb, the leading website for scholarship and financial aid information and a member of the Monster network, is focusing on resources for African American students.
Fastweb encourages undergraduate, graduate and college-bound African American students to help fund their college education by applying for scholarship opportunities, available now.
In their annual free resource – Scholarships for African American Students – students will find scholarships available in a variety of areas, including: engineering, radiologic sciences, nursing, planning and public policy, business and financial services, manufacturing operations and various other academic areas.
Award amounts range from $500 to $75,000.
“Fastweb is committed to helping provide access to scholarships for African American students to help them achieve their academic goals,” said Mark Nelson, Vice President, Fastweb. “In our new resource, students will find opportunities from educational institutions, foundations, and other organizations across a variety of career disciplines.
There are approximately 1,000 scholarship opportunities with a focus on African American students in our scholarship database,” said Nelson.
With Fastweb’s Scholarship Directory, all students can search for awards by school year, ethnicity, race, unique situations and more. For more helpful free online resources, visit Fastweb.com or download the Fastweb app.
This is a great opportunity. When I was in school, I won two contests that were featured on Fastweb. If you are a student in need of financial help, take a look at the scholarships listed and start applying asap.
After years of being blackballed in Hollywood, Oscar Award-winning comedian Mo’Nique sat down with Steve Harvey to settle their differences. Mo’Nique’s relationship with Harvey became strained after he publically criticized and distanced himself from her after she became outspoken about inequality and discrimination in Hollywood.
Mo’Nique also called out Tyler Perry, Oprah Winfrey, and Lee Daniels for not publically defending her. According to Mo’Nique, they knew she had “done nothing wrong.” Instead, according to Mo’Nique, they allowed her name to be dragged through the mud, rather than telling the truth about what was happening.
Mo’Nique won an Oscar for her outstanding performance in Lee Daniel’s film Precious. However, she was only paid $50,000 for the role and was expected to travel across the country and around the world to promote the film out of her own pocket. When she refused, she was labeled difficult. Mo’Nique then spoke openly about Hollywood’s refusal to pay Black actresses fairly.
At this point, she was blackballed.
In her sit down with Steve Harvey, Mo’Nique stood strong in her conviction that she did the right thing. Stating, “When you allow people, to start taking your freedom and your gift and making it become what makes them comfortable, we then lose.”
Steve Harvey then responded, “When you tell the truth, you have to deal with the repercussions of the truth. WE BLACK OUT HERE…”
He continued, “This the money game. This ain’t the Black man’s game. This ain’t the white man’s game. This the money game. And you can not sacrifice yourself. The best thing you can do for poor people is not be one of them.”
In this statement, Steve implies that truthtelling is the road to poverty and that to thrive, one must play “the game.”
However, Mo’Nique bravely countered, “Before the money game is the integrity game. And we’ve lost the integrity worrying about the money.”
Then Steve Harvey took a route that many people had an issue with. He acted as if standing up for Mo’Nique somehow would have made him lose his $100 million empire overnight.
Steve stated, “If I crumble, my children crumble, my grandchildren crumble. I can not for the sake of my integrity, stand up here and let everybody that’s counting on me crumble – so I can make a statement. There are ways to win the war in a different way.”
This is where we have a problem. I agree that in any situation, especially dealing with employment, we must be strategic and tactful. However, when battling a larger social issue, like the unequal payment of Black women – which is a huge issue – being quiet is the exact opposite of what we need.
This is especially true if you’re in a position of power.
Zora Neale Hurston said it best, “If you are silent about your pain, they’ll kill you and say you enjoyed it.”
Mo’Nique is calling out a larger social issue. She’s calling out anti-Blackness implemented by expecting Black people to allow themselves to be overworked and undervalued. We may not all be in Hollywood, but working class Black women see it every day. According to the National Women’s Law Center and Equal Pay Today, Black women face steep wage inequality.
“Black women working full time, year round typically make only 61 cents for every dollar paid to their white, non-Hispanic male counterparts.” (National Women’s Law Center)“
Just because Mo’Nique is speaking out about Hollywood instead of an office job or fast food restaurant, doesn’t mean her words are any less true. Mo’Nique is a comedy pioneer and legend. Her decades of work speaks for its self. Yet, there are some still expecting her to be quiet and “grateful” as if she’s just some novice off the street.
The larger issue that she is addressing is about Black self-worth. Are we willing to set higher standards and enforce them? Are we ready to stop accepting crumbs? Are we ready to call out injustice, even if it means a temporary set back?
Though this can be scary, history has shown us the benefits of taking a stand. Muhammad Ali showed us with his refusal to fight in Vietnam, which led to him being stripped of his heavyweight title. Rosa Parks showed us in her refusal to give up her seat, leading her to be jailed. Recently Colin Kaepernick showed us, by taking a knee during the National Anthem to bring awareness to police brutality against Blacks, leading him to lose his job.
Some may not see the connection but it is there. Mo’Nique is fighting for pay equality. Without it, Black women specifically will continue to face economic instability. This is race-based financial oppression with real-life repercussions for everyday people.
That’s where integrity comes in because the issue is deeper than Mo’Nique personally. The Steve Harveys of the world may think they’re flourishing by staying quiet. Yes, Steve Harvey may be building wealth for himself but what good is it if the people he claims to support are still dealing with everyday struggles of wage gaps and underemployment? What good is his wealth if he refuses to speak out against the mass economic oppression of his people? These are issues that he could speak out about, starting with his industry.
And standing up to Hollywood is not a far-fetched idea.
Remember when everyone thought that Dave Chapelle was crazy for walking away from his widely acclaimed Comedy Central show? Remember how the network tried to bury him, even spread rumors about drug use?
He left for his integrity. It cost him financially at first but eventually, he became even more celebrated for standing his ground and not allowing himself to be exploited for profits. Years later, he was able to fully recoup his losses and is highly respected.
This is more than about Mo’Nique. And yes, integrity may have no immediate monetary benefit. However, history has shown us that if it were not for bravery and integrity – we would still be sitting in the back of the bus being told we should be grateful just for a seat.
In December 2018, the Brookings Institute released a report that examined and documented the devaluation of homes in majority Black neighborhoods. The report found that, “Across all majority black neighborhoods, owner-occupied homes are undervalued by $48,000 per home on average, amounting to $156 billion in cumulative losses.”
As was pointed out, by Andre Perry (lead author of the report) at the Brookings Institute’s “Homeownership while Black” forum, the $156 billion in losses could have gone towards funding for:
4.4 million Black-owned businesses 8.1 million 4-year college degrees at public colleges and universities It would replace the pipes in Flint, MI 3,000 times It would fund 97% of Hurricane Katrina costs
That’s a lot of money!
Consequently, the unfair and discriminatory devaluation of Black homes harms Black residents substantially. It increases the racial wealth gap, thereby preventing access to upward mobility.
In case you were wondering why it’s hard for many Black communities to build wealth, start with reading this report.
Here are some highlights from the report:
There is strong evidence that bias has tangible effects on real estate markets, both historically and today. During the 20th century, both explicit government institutions and decentralized political actions created and sustained racially segregated housing conditions in the United States. (page 5)
This has created what has been dubbed a “segregation tax,” resulting in lower property valuations for blacks compared to whites per dollar of income. (page 5)
Contemporary work from social scientists has aimed to sort out whether these lower valuations are caused by differences in socio-economic status, neighborhood qualities, or discrimination. The results tend to show compelling evidence for discrimination. In one study, Valerie Lewis, Michael Emerson, and Stephen Klineberg collected detailed survey data on neighborhood racial preferences in Houston, Texas. They asked people to imagine that they were looking for a new house, found one within their price range and close to their job; they then say to respondents, “checking the neighborhood . . .” and then present different scenarios based on racial composition, school quality, crime, and property value changes for the hypothetical neighborhood.” (page 5)
Black Americans are highly urbanized. 90 percent live in metropolitan areas, compared to 86 percent of all U.S. residents. And decades after the Civil Rights movement, blacks remain highly segregated. Though blacks comprise just 12 percent of the U.S. population, 70 percent live in neighborhoods that are over 20 percent black, and 41 percent live in majority black neighborhoods.
These majority black neighborhoods may be overlooked as sites for economic development, but they contain important assets, in terms of people, public infrastructure, and wealth. (page 10)
The devaluation of black neighborhoods is widespread across the country. There are 119 metropolitan areas with at least one majority black census tract and one census tract that is less than 1 percent black. In 117 of these 119 metro areas, homes in majority black neighborhoods are valued lower than homes in neighborhoods where blacks are less than 1 percent of the population. Gainesville, Fla. and Sebring, Fla. are the only exceptions.
As a Black woman that has experienced sexual assault, the last few days in Virginia politics has left me reeling in a vortex of anger and distrust. Unfortunately, I’m not alone. Governor Ralph Northam effectively lost the Black community’s trust with his admission/non-admission of having posed in a yearbook photo with blackface and Ku Klux Klan robes at the ripe age of 25 years old.
Consequently, he was asked by Virginia Democrats to resign. He promptly refused, causing more mayhem. However, the glimmer of hope was the possibility of Lt. Gov. Justin Fairfax, taking Northam’s place.
Then, suddenly that glimmer of hope came crashing down as sexual abuse allegations spread about Fairfax. With two allegations, one from Professor Vanessa Tyson (2004) and one from Meredith Watson (2000) – it was clear that Fairfax was no longer on the road to becoming governor. It was also clear that the political circus in Virginia was going to become more complicated, more disappointing, and more enraging.
As scholar Melissa Harris-Perry pointed out on Twitter, “Now observers are wringing hands over the “racist v rapist” dilemma facing Virginia. Welcome to the intersection where black women live.”
Democrats were at first unsure how to process the Fairfax allegations. But as Vanessa Tyson and Meredith Watson told more of their very detailed and compelling stories, a uniformed call for Fairfax’s resignation began. There was even a delegate preparing to impeach him.
At the same time, Governor Ralph Northam was all but planning a quiet victory party, hoping to rebuild his appeal among Black voters with a new race-based agenda. The conversation about his photos with blackface and KKK robes mostly died down. Many people, including some self-proclaimed progressives, rested on the “blackface is bad but not criminal,” excuse.
These statements dangerously minimize the fact that the Ku Klux Klan is a domestic terrorist group. Black communities were not angry at Northam for having bad manners. We were angry because those photographs depict an alignment with people that have terrorized, murdered, and raped Black and Brown people across the United States of America. A 25-year-old man in medical school (FROM VIRGINIA) knows very well what the Klan is and what they represent.
If Tamir Rice was a man, if Mike Brown was a man, if Trayvon Martin was a man, then surely Ralph Northam was a man at 25 years old – fully capable of the repercussions of his actions (both then and now).
As a Black woman that has experienced sexual assault, I am in no way excusing or minimizing allegations against Justin Fairfax. Nevertheless, accountability shouldn’t be selectively reserved when it comes to issues surrounding racism and sexual assault. Though the two issues should never be conflated – we can and should hold people accountable for both.
I feared that Democrats would allow Northam and his allies to weaponize the Fairfax allegations in order to remain governor and never be held fully accountable for his actions. And that is exactly what happened. Basically, Fairfax’s sexual assault allegations became the shield for Northam’s racist transgressions. In that case, Black women, whom everyone suddenly pretends to care about, are no safer, no more protected than we were before.
It’s all a horrible mess that no one could have predicted. But we’re here now, and we have to make sense of it.
In both cases, there must be justice. Fairfax has been accused of a crime. Vanessa Tyson and Meredith Watson should be heard. Their testimonies should be taken seriously. There should be a full investigation, and there should be full accountability. On the other hand, Northam publically aligned himself with terrorists in his yearbook photos. To me, this is enough for removal as well. And he should also be thoroughly investigated.
But now that’s not going to happen.
Between Fairfax and Northam, the only thing I’m rooting for is truth and justice.
However, we can not allow the hope for justice to be weaponized against us. Untangling this web of chaos isn’t easy. Even as I write this, I feel juxtaposed against myself. Perhaps, I am.
However, if Democrats were willing to impeach Fairfax with no specific plan for addressing Northam, they were not truly working towards ensuring justice. They’ve only allowed justice to be weaponized to protect another person in power.
Lastly, as we move closer to 2020, there are only going to be more revelations, accusations, and scandals. I strongly advise Democrats to develop a well thought out process that brings more order and equality to moves towards investigating issues and enforcing accountability.
Author and award-winning journalist Jesse J. Holland will lead a discussion on the topic “Wakanda to the United States: Is the Black Panther Opening Doors and Changing Minds” Monday, October 1, 2018 at the Aspen Institute. Holland wrote “The Black Panther: Who is the Black Panther?” commissioned by Marvel Entertainment for the hit film. He will speak during a working lunch at the International Career Advancement Program (ICAP)sponsored by the University of Denver’s Josef Korbel School of International Studies
Prior to the lunch, Holland will join popular Sirius XM radio show host and BBC analyst Eric Hamm and Jeffrey Ballou of the Al Jazeera Media Network for a panel on “Diversity in Media.”
Holland is also a race and ethnicity writer for The Associated Press as well as a former White House, Supreme Court and congressional reporter.
Jesse J. Holland is an award-winning journalist and the author of “Black Panther: Who Is the Black Panther?” In this novel, Holland retells the origin story of the original Black Panther updated for the new century. Holland is also the author of “Star Wars: The Force Awakens – Finn’s Story” and “The Invisibles: The Untold Story of African American Slaves in the White House”; the latter was honored at the Independent Publisher Book Awards and by Smithsonian.com.
I’m super excited about the premiere of Nappily Ever After on Netflix.
The movie is based on the book by Trisha R. Thomas. It’s refreshing to see the narrative concerning the relationship that Black women have with our natural hair and how it affects our sense of self and relationships. I remember the first time that I ever chopped off my hair. I never had much, to begin with, but like many Black girls, that was mainly due to breakage and damage caused by perms that we were taught to live by in our communities.
I dabbled with natural hair in high school but social pressures and a lack of guidance concerning natural hair care brought me back to the perm. There were no natural hair Youtube gurus back then. Growing up in a small town, I was pretty much on my own. As soon as I graduated, I cut off every bit of permed hair and started growing locs. It was a liberating experience that was one of my entry points to womanhood. I had chosen to embrace my natural kinks and that process led me on a road to self-discovery and empowerment.
Nappily Ever After showcases a similar experience.
Additionally, I think it’s great that this movie ties in how Black women’s decision to wear our natural hair has an effect on our dating lives. I’ve found it to be a blessing. Natural hair is a simple ignorance deterrent. It helped me to stay clear of men obsessed with European standards of beauty. No Black woman should be dating them anyway. What some view as a diss is really a blessing in disguise.
Many of my sister-friends have shared similar stories. I’ve enjoyed watching Sanaa Lathan share the ups and downs of our experiences in a positive light on a major platform.
Nappily Ever After is not only about hair. It’s a story about a Black woman’s journey to self-discovery and the reclamation of her life.
Read the movie synopsis below and Happy Watching!
Violet Jones has a seemingly flawless life – a great job, a handsome doctor boyfriend, and a meticulously maintained perfect coiffure. But after an accident at the hair-dresser, each of these things start to unravel, and Violet begins to realize that she was living the life she thought she was supposed to live, not the one that she really wanted. Starring Sanaa Lathan, Ricky Whittle, Lyriq Bent with Ernie Hudson and Lynn Whitfield. Nappily Ever After premieres September 21st only on Netflix.
It’s hard to forgive Omarosa Manigault Newman for her participation in selling out the Black community to an administration that is clearly adversarial to any and all forms of civil/human rights. Since she’s has been fired from the Trump Administration she’s attempted reconciliation with the Black community, which has largely gone ignored (and rightfully so). The Trump Administration, at every turn, has sought to strip away all civil rights available that could benefit communities of color.
Since she’s been fired, Omarosa has been showering us in a rain of anti-Trump stories. Yet, she is essentially telling us what we already know. Donald Trump is corrupt. Yes, Omarosa we know. Oil is greasy. Water is wet. None of this is surprising.
But her recordings, bear witness and provide further undeniable proof as to how corrupt the current administration is. It’s poetic, almost Shakespearean, that she is giving Trump exactly what he gives – unfazed, uncontrollable, outbursts of media-hungry commentary. She has been on almost every major news network this week, while she admittedly beats, “Trump at his own game.”
Still, I have no interest in advocating for a person that so easily plays with Black lives. Omarosa’s previous actions show that she is from the Tribe of Kanye aka the selfers. She’s in this fight for herself and always has been. Would we have heard the recordings if she was never fired? Who knows?
However, as much as I dislike her, those tapes are important and downright historic. Her tapes could ultimately be used in the current investigation into the Trump Administration’s unlawful activities. Considering how hard it is to get real justice in this country, we need as much evidence as we can get. Even if it comes from Omarosa.
And yes, I do get a little cozy feeling knowing that a Black woman is giving Trump a taste of his own medicine. I’m listening to every tape. No, she still can’t come to the cookout but she can drop off her tapes. I might, save her a tiny piece of chicken though. And it wouldn’t have sauce on it.
Jessica Ann Mitchell Aiwuyor is the founder of Our Legaci Press and the author of Rise and Shine, Dear Heart, a children’s book that provides encouragement to young girls, while showcasing diverse skin tones, shapes and sizes. Rise and Shine, Dear Heart is available for pre-order at OurLegaciPress.com/books.