Jussie Smollett Orchestrated His Own Attack – Two Investigators Say

Screenshot of Jussie Smollett’s Good Morning America Interview

Hopefully, this news isn’t true.

A few weeks ago, it was reported that singer and Empire actor Jussie Smollett was attacked in an apparent hate crime.

Smollett told authorities he was attacked early January 29 by two men who were “yelling out racial and homophobic slurs.” He said one attacker put a rope around his neck and poured an unknown chemical substance on him. (CBS News)

Now, after much back and forth, two sources from Chicago police are telling reporters they believe that Jussie Smollett paid two men to attack him.

At a time when hate crimes are on the rise, it would be deplorable for anyone to fake an attack. People of color across America already have a difficult time getting justice when faced with racism, discrimination, and violence.

This story continues to unfold but I sincerely hope that it is not true.

Otherwise, Jussie Smollett has a lot of explaining to do and owes many people (especially the Black LGBTQ community) an apology.

Jussie Smollett’s lawyers have issued a statement:

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Integrity is for broke people – Steve Harvey

After years of being blackballed in Hollywood, Oscar Award-winning comedian Mo’Nique sat down with Steve Harvey to settle their differences. Mo’Nique’s relationship with Harvey became strained after he publically criticized and distanced himself from her after she became outspoken about inequality and discrimination in Hollywood.

Mo’Nique also called out Tyler Perry, Oprah Winfrey, and Lee Daniels for not publically defending her. According to Mo’Nique, they knew she had “done nothing wrong.” Instead, according to Mo’Nique, they allowed her name to be dragged through the mud, rather than telling the truth about what was happening.

Mo’Nique won an Oscar for her outstanding performance in Lee Daniel’s film Precious. However, she was only paid $50,000 for the role and was expected to travel across the country and around the world to promote the film out of her own pocket. When she refused, she was labeled difficult. Mo’Nique then spoke openly about Hollywood’s refusal to pay Black actresses fairly.

At this point, she was blackballed.

In her sit down with Steve Harvey, Mo’Nique stood strong in her conviction that she did the right thing. Stating, “When you allow people, to start taking your freedom and your gift and making it become what makes them comfortable, we then lose.”

Steve Harvey then responded, “When you tell the truth, you have to deal with the repercussions of the truth. WE BLACK OUT HERE…”

He continued, “This the money game. This ain’t the Black man’s game. This ain’t the white man’s game. This the money game. And you can not sacrifice yourself. The best thing you can do for poor people is not be one of them.”

In this statement, Steve implies that truthtelling is the road to poverty and that to thrive, one must play “the game.”

However, Mo’Nique bravely countered, “Before the money game is the integrity game. And we’ve lost the integrity worrying about the money.”

Then Steve Harvey took a route that many people had an issue with. He acted as if standing up for Mo’Nique somehow would have made him lose his $100 million empire overnight.

Steve stated, “If I crumble, my children crumble, my grandchildren crumble. I can not for the sake of my integrity, stand up here and let everybody that’s counting on me crumble – so I can make a statement. There are ways to win the war in a different way.”

This is where we have a problem. I agree that in any situation, especially dealing with employment, we must be strategic and tactful. However, when battling a larger social issue, like the unequal payment of Black women – which is a huge issue – being quiet is the exact opposite of what we need.

This is especially true if you’re in a position of power.

Zora Neale Hurston said it best, “If you are silent about your pain, they’ll kill you and say you enjoyed it.”

Mo’Nique is calling out a larger social issue. She’s calling out anti-Blackness implemented by expecting Black people to allow themselves to be overworked and undervalued. We may not all be in Hollywood, but working class Black women see it every day. According to the National Women’s Law Center and Equal Pay Today, Black women face steep wage inequality.

“Black women working full time, year round typically make only 61 cents for every dollar paid to their white, non-Hispanic male counterparts.” (National Women’s Law Center)

Just because Mo’Nique is speaking out about Hollywood instead of an office job or fast food restaurant, doesn’t mean her words are any less true. Mo’Nique is a comedy pioneer and legend. Her decades of work speaks for its self. Yet, there are some still expecting her to be quiet and “grateful” as if she’s just some novice off the street.

The larger issue that she is addressing is about Black self-worth. Are we willing to set higher standards and enforce them? Are we ready to stop accepting crumbs? Are we ready to call out injustice, even if it means a temporary set back?

Though this can be scary, history has shown us the benefits of taking a stand. Muhammad Ali showed us with his refusal to fight in Vietnam, which led to him being stripped of his heavyweight title. Rosa Parks showed us in her refusal to give up her seat, leading her to be jailed. Recently Colin Kaepernick showed us, by taking a knee during the National Anthem to bring awareness to police brutality against Blacks, leading him to lose his job.

Some may not see the connection but it is there. Mo’Nique is fighting for pay equality. Without it, Black women specifically will continue to face economic instability. This is race-based financial oppression with real-life repercussions for everyday people.

That’s where integrity comes in because the issue is deeper than Mo’Nique personally. The Steve Harveys of the world may think they’re flourishing by staying quiet. Yes, Steve Harvey may be building wealth for himself but what good is it if the people he claims to support are still dealing with everyday struggles of wage gaps and underemployment? What good is his wealth if he refuses to speak out against the mass economic oppression of his people? These are issues that he could speak out about, starting with his industry.

And standing up to Hollywood is not a far-fetched idea.

Remember when everyone thought that Dave Chapelle was crazy for walking away from his widely acclaimed Comedy Central show? Remember how the network tried to bury him, even spread rumors about drug use?

He left for his integrity. It cost him financially at first but eventually, he became even more celebrated for standing his ground and not allowing himself to be exploited for profits. Years later, he was able to fully recoup his losses and is highly respected.

This is more than about Mo’Nique. And yes, integrity may have no immediate monetary benefit. However, history has shown us that if it were not for bravery and integrity – we would still be sitting in the back of the bus being told we should be grateful just for a seat.

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Jessica Ann Mitchell Aiwuyor is a publisher and multicultural communications specialist. To reach J.A.M., email her at JAMAiwuyor@gmail.com.

6 Black Films & Shows to Discuss Other Than Birth of a Nation

our-legaci-6-black-films-and-shows-to-support

Can I admit that I’m tired of talking about Birth of a Nation? Even though I plan on writing my own collection of thoughts concerning the film and its surrounding controversy, I’ve noticed that all of the attention towards it, good and bad, has unintentionally pulled away from much needed discussions about other Black films and shows.

So here are 6 Black films and shows to discuss other than Birth of a Nation:

1. Queen of Katwe starring Lupita Nyong’o

This film has received many great reviews. It’s based on the true story of Phiona Mutesi, an international chess champion that learned to play chess at the SOM Chess Academy in Kampala, Uganda. Though she’s already a world hero, Ms. Mutesi is still a young lady with big dreams. 

Film synopsis: Queen of Katwe is the colorful true story of a young girl selling corn on the streets of rural Uganda whose world rapidly changes when she is introduced to the game of chess, and, as a result of the support she receives from her family and community, is instilled with the confidence and determination she needs to pursue her dream of becoming an international chess champion.

2. Issa Rae’s Insecure now on HBO

I fell in love with Issa Rae’s work while watching the first 3 minute episode of Awkward Black Girl. She captured the everyday plight of so many quirky Black women with awkward tendencies. This is what made her show a hit. She tapped into a market and audience that had been either ignored or deemed non existent. Her new show on HBO is just has hilarious, with the same quirky, cringe worthy, laugh out loud moments. Insecure is definitely a must watch.

Show synopsis: Watch the half-hour comedy series Insecure, starring Issa Rae, Yvonne Orji, Jay Ellis and Lisa Joyce, looks at the friendship, experiences and tribulations of two black women. Created and executive produced by Issa Rae, this eight-episode series is also executive produced by Prentice Penny, Melina Matsoukas, Michael Rotenberg, Dave Beck, Jonathan Berry, and Larry Wilmore as a consultant.

 

3. Hidden Figures starring Taraji P. Henson, Octavia Spencer & Janelle Monáe

This is a movie I’m extremely excited for. I wish we all knew more about the history behind Black women and the NASA program. As the mother of twin girls, movies showcasing the scientific and mathematical talents of Black women is a must watch in my book.

Film synopsis: Hidden Figures is the incredible untold story of Katherine G. Johnson (Taraji P. Henson), Dorothy Vaughan (Octavia Spencer) and Mary Jackson (Janelle Monáe)—brilliant African-American women working at NASA, who served as the brains behind one of the greatest operations in history: the launch of astronaut John Glenn into orbit, a stunning achievement that restored the nation’s confidence, turned around the Space Race, and galvanized the world. The visionary trio crossed all gender and race lines to inspire generations to dream big. In theaters – January 13, 2017.

4. The 13th directed by Ava DuVernay on Netflix

As an undergrad, one of our professors pointed out that the 13th amendment to the U.S. Constitution did not end slavery. “Neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States, or any place subject to their jurisdiction.”

She directed us to the line that states:  except as a punishment for crime.

Thus, slavery took on a new form. The new National Museum of African American History and Culture has an entire display dedicated to showing the connections between slavery and mass incarceration. Apparently, everyone in my circle has watched The 13th except me. But fear not, I will be watching over the weekend. Anything Ava DuVernay touches is gold.

Film synopsis: The title of Ava DuVernay’s extraordinary and galvanizing documentary 13TH refers to the 13th Amendment to the Constitution, which reads “Neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States.” The progression from that second qualifying clause to the horrors of mass criminalization and the sprawling American prison industry is laid out by DuVernay with bracing lucidity. With a potent mixture of archival footage and testimony from a dazzling array of activists, politicians, historians, and formerly incarcerated women and men, DuVernay creates a work of grand historical synthesis. Now Streaming on Netflix.

 

5. Atlanta produced by Donald Glover on FX

Where do we start? The fact that this show centers around Black men in Atlanta chasing the rap career dream already leads us down the road to authenticity. The admiration of lemon pepper chicken wings, saying “bet” instead of “sure,” working at the airport – so Atlanta.

Yet the most interesting aspect of Atlanta is it’s unflinching willingness to explore societal shifts, along with layered portrayals of Black life. The most widely discussed episode so far has been episode 7. The episode included a number of satirical commercials featured on a fictional tv network, parodying BET called “Black American Network.”

During the episode, rapper Paper Boi is shown on a tv panel grappling with understanding transsexuality. Then the episode shifts to a discussion of transracial identity. Instantly audiences picked up on the false equivalency that was often leaned upon during the real life uproar concerning Rachel Dolezal- a white woman determined to embody blackness through activism, hair weaves and tanning.

On Atlanta, they flip the script showing a young Black man that identifies as a 35-year-old white man, that is both transphobic and homophobic (taking a jab at Caitlyn Jenner’s contradictory homophobic statements).

Atlanta is unconventionally brilliant. There are so many things to digest here. There could be an entire article dedicated to breaking down the children’s cereal commercial in episode 7 that put the spotlight on police brutality.

Show synopsis: Two cousins work through the Atlanta music scene in order to better their lives and the lives of their families. Donald Glover serves as Executive Producer, along with Paul Simms and Dianne McGunigle. Atlanta is produced by FX Productions.

 

6. Queen Sugar on OWN

Like I said earlier, everything Ava DuVernay touches is gold. I recently wrote about how Queen Sugar’s underlying theme is “rebirth, rejuvenation and resilience.” You can view more of my thoughts here.

Film synopsis: Queen Sugar chronicles the lives and loves of the estranged Bordelon siblings in Saint Josephine, Louisiana: Charley, the savvy wife and manager of an NBA star; Nova, a worldly-wise journalist and activist; and Ralph Angel, a formerly incarcerated young father in search of redemption. After a family tragedy, the Bordelons must navigate the triumphs and struggles of their complicated lives in order to run an ailing sugarcane farm in the Deep South.

 

Again, I will be writing my own commentary about Birth of a Nation. However, for now I’d just like to bask in the glory of all the greatness featured above.

If there is a film or show you think should be included, add it in the comments below.

 

JAM-TwitterJessica Ann Mitchell Aiwuyor is a poet, writer and social justice advocate. She’s also the founder of Our Legaci. Rant or rave to JAMAiwuyor@gmail.com.

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